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is a short multichannel electroacoustic piece. It confronts a mix of legal, ethical, and
perceptual issues, while simultaneously shifting between serious and lighthearted tones,
between a sense of 'documentary audio' and invented soundscapes.
All sounds in the work are derived from a small set of audio samples taken from recordings legally protected by copyright. The first is legendary blues singer Son House's a cappella 1965 studio recording of the song "Grinnin' in Your Face." The second is the lead vocal track by David Lee Roth from the song "Running with the Devil," by his band Van Halen, from their 1978 debut album.
Beyond the obvious issue of creating a new work by manipulating and recontextualizing audio samples, the choice of audio here was deliberate, to highlight the debt that much popular music owes to folk music sources such as, in the case, the blues. Whereas the blues musicians who were imitated rarely were able to rise above a working-class income level, many of the pop musicians became multimillionaires. However, despite the ridiculousness of some of David Lee Roth's vocal antics, his art was enriched through the imitative elements and can actually be compelling at times.
The piece also features a shifting sense of place. As it begins, one might imagine that the blues singer was actually recorded on location at a city street corner. This abruptly shifts when the street noise vanishes, leaving only a close-miked vocal. The city street ambience returns a couple other structural junctions in the piece, as do one or more claps by Son House. Intimacy, documentary, studio recording, and purely musical soundscape moments evolve into one another and are juxtaposed.
If you would like to know more about this work or the methods used to compose it, please email Doug Geers.