|
Selected Works: |
|
 |
Year |
Title |
Instrumentation |
|
2010 |
Scrambler |
solo
piano |
|
2009 |
Inanna |
90-minute
multimedia concerto-drama, scored for actress/singer, violin, male
chorus, and computer music. |
|
2009 |
No York Globe Cell |
elecroacoustic
music |
|
2008 |
Calling |
90-minute
opera, scored for mezzo three sopranos, baritone, boy soprano, SATB
chorus, SA children's chorus, Bb clarinet, piano, percussion, violin,
cello, and computers. |
|
|
Tight Tie Size Try |
Bb bass
clarinet, piano, two percussion |
|
|
Sweep,
concerto for violin and laptop orchestra |
violin
soloist, percussion, sixteen computers performed via wireless remote
controllers. |
|
|
Clean Up |
spoken word,
percussion, violin, three computers |
|
2007 |
Verbosity Ore |
electroacoustic
music |
|
|
Mere
Seer Jog |
electroacoustic
music |
|
2006 |
Laugh Perfumes |
concerto
for violin and orchestra (3,3,3,3;4,3,3,1; 2 perc; timp; strings.
Chamber version in-progress) |
|
|
Outlier
|
chamber
orchestra (1,1,1,1; 1,1; piano, 1 perc;
2, 1, 1, 1) |
|
2005 |
Obsessive
Currents |
violin
+ computer (live electroacoustic
music) |
|
|
Twisted
Pairings:
Wired
at Tip |
mixed
ensemble + electroacoustic music |
|
|
Shadow |
violin
+ computer (live electroacoustic
music) |
|
|
Syndrome
Gear |
electroacoustic
music |
|
|
Lunar
Crescent |
any
instrument + computer (live electroacoustic
music) |
|
2004 |
Tremor Transducer * |
Flute,
piano, percussion, violin, cello, and live
electroacoustic music |
|
|
How
I Learned to Draw a Sheep |
Voices,
electroacoustics, and piano |
|
2003 |
Memory
Dust * |
Big
Band and live electroacoustic music |
|
|
Exit
to City |
berimbau
and live electroacoustic music |
|
|
Jugular
Juices |
guitar,
spoken word, computer |
|
|
Twisted
Pair |
eight-channel
fixed media computer music |
|
2002 |
Gilgamesh |
violin,
computer, multimedia |
|
|
Shambat |
violin solo |
|
|
Uruk |
violin
and computer |
|
2001 |
Ghost
Sonata |
violin,
piano, voice, electronics |
|
|
Electroacoustic
Video Suite/ Three Impressions |
computer
music with video |
|
|
Atomic
Tango * |
electroacoustic
music |
|
|
Qunu |
Music
for SATB choir |
|
|
Enkidu |
Music
for violin with realtime interactive
processing |
|
2000 |
Demons
* |
Computer
music, based on a poetry reading by
Guillermo
Castro |
|
|
Bride
of Kong |
Music
for voices, piano, percussion, and
electronics |
|
|
Appliance |
performance
installation work for violin,
mechanized
sculptures, and interactive computer music |
|
|
Glass
Wall Suite |
Dance
suite for amplified chamber ensemble and
electronics |
|
1999 |
Turnstile * |
violin
and electronics |
|
|
Ten
Or So |
shakuhachi
and 4-channel electronics with video |
|
|
Invisible Arms |
violin,
electric bass, two percussion, and eight
channel electronics (six channels independently mobile), with video and
dance |
|
|
For Rosa |
solo
piano |
|
|
Miscellaneous
by Weight |
multitrack
computer music for semi-improvisatory
performance with live mixed video |
|
1998 |
Reality House * |
violin,
viola, cello, contrabass, flute,
clarinet, and
trombone |
|
|
Echo
Impressions |
computer
music |
|
|
Hole
in Pocket |
computer
music |
|
|
Carol's Cliff * |
two
percussion, piano, and live mixed electronics |
|
|
Freeway
Dreams |
computer
music with optional slide projections |
|
1997 |
Ripples * |
computer
music with optional video |
|
|
Suite
from "The End of Something" |
computer
music for film |
|
1996 |
Soft and Sky Melting
* |
computer
music with optional video |
|
|
Sugar
Cookie |
computer
music |
|
|
Blue Haikus |
flute,
clarinet, trumpet, cello, and percussion |
|
|
Amid Mirrors |
computer
music |
|
1995 |
Ken's
Mistake |
computer
music |
|
|
Breath, Tongue, Fingertips |
solo
flute |
|
|
BobTalk |
computer
music |
|
|
Play of Lights |
computer
music |
|
1994 |
Little Sleep's-Head Sprouting
Hair in the Moonlight |
songs
for baritone, guitar, and mixed electronics |
|
|
|
|
|
|
* Titles followed by an asterisk indicate
works that are available in their entirety in MP3 format. |